I believe that glazed ceramic pieces can become art, and functional forms can also serve as art in terms of contemporary modernity. Even though contemporary art is marking as its salient features, I believe that form and content within ceramic art already possess the contemporary values by the dichotomy between tradition and modernity, not by antagonism against tradition.
A fragile ceramic piece reveals its temporality of time and place, and symbolizes an ephemeral and vulnerable emotions and feelings. The flexibility and adjustability of my forms are relating with the openness. Those are still in-process that can be expended and reduced along with the context that the form sits.
I am fond of juxtaposing different components and styles. The juxtaposition conveys the duality of aesthetics and values. As such, the totalization within an installed form illustrates a visible consonance beyond time and space.